إيقاع البياض وعلامات الترقيم عند شعراء الجيل التسعيني العراقي: إصدارات اتحاد الكتاب العرب (2000-2010 م)‎ أنموذجا

Abstract EN

Since contemporary Iraqi poetry has taken different paths within the framework of textual modernization through the generations of Iraqi poetry, and it has become modernist representations that know no borders, such a poetic situation contributes effectively to determining the nature of the critical path that is practiced in revealing the modernity of the poetic text, which is one of its manifestations That rhythmic breadth that we see in the visual juxtaposition represented by the rhythm of whiteness, and the rhythm of punctuation, so that here the selection of poetic groups of poets from the nineties Iraqi generation, as modern confirmations of these two rhythms in light of the modern conceptual breadth of rhythm, which is eleven poetic groups, from the publications of the Writers Union The Arabs, the incubator of the products of Arab creators, including our nineties poets- the sample of the research-, so this study is divided after the conclusion of the research and the introduction into two sections; The first is (rhythm of whiteness); And the second, which came in (the rhythm of punctuation marks), then the conclusion comes after absorbing the results of the research.