تمثلات المخيال في الفن التشكيلي والسينما: الفنان نجا المهداوي وفيلم محبة فنسنت أنموذجا

Abstract EN

In this study, we delve into research in the demonstrations and manifestations of the imagination, which is one of the knowledge that controls the behavior of the individual and society and one of the main dimensions of human existence through the methods of its work in the experiences of human societies, leaving its impact on artistic and creative achievements, especially the arts in its various formulations.

the imagination is that stock that carries the artistic legacy, as it is a permanent creation that does not stop or limit the images from which only things have their existences.

on the basis that plastic art and cinema embody the practice of imagination within a space for permanent exchange and interaction for aesthetic speeches.

the creations of artist Naga al-Mahdaouii and the cinematic work of Vincent's love film emerged as an integrated model of imaginative consciousness within various artistic charges.

what is the etymological field that evolves in the orbit of representations of the imagination.

does imagination represent a device of control or an experience of liberation and release? to what extent does one need to be imaginative to reach the horizon of the recipient’s expectations? we will discuss this topic with analysis and description to question a number of basic and pivotal concepts and terms by seeking to dismantle its contents, read its various dimensions and dig into its roots, beginning with representation and then experimenting with imagination in the plastic art of the icons of the artist Naga al-Mahdaoui and the cinematic art represented by Vincent’s love.