تجربة الكتابة المسرحية عند بن قطاف

Abstract EN

This study attempts to approach the dramatic writing experience of the writer, actor and director M'hamed Benguettaf.

and seeks to answer a number of questions related to language? the topics? Personalities? addressing? At Benguettaf.

He is the playwright who left us more than twenty texts in both Arabic and French, some of which are creation, some are quotes, and some are translations, and most of these texts have not been dealt with in academic research and study, as far as I know.

In addition to the diversity of tasks that this man practiced in the world of theater, from an actor to a director to a writer to a manager of several theatrical institutions, this enriched his experience and allowed him to form a unique style of writing of his own.

At the head of this experience is the play "Al-Aita" and the play "Fatima", which are considered milestones in the repertoire of the Algerian theater and a qualitative leap, whether in terms of keeping pace with social reality, in terms of its dramatic form, or in terms of its artistic and media success.