جمالية الحركة وخصائصها التقنية في الفنون المعاصرة

Abstract EN

Movement is considered one of the aesthetic and applied foundations in the visual arts in general because it is considered one of the factors of tension and attraction.

Artists in art schools were keen to record a sense of movement on a continuous basis in order to give the work an appearance full of vitality and permanent movement by harnessing color, light and color gradations and occupying the painting space with objects, shapes, and straight and diagonal lines.

He presented the characters of the illustrated scene with various curves, adding the kinetic aspect of the painting to the currents of contemporary art, which took upon themselves the employment of the movement of lines, ripples of colors, and bends of blocks and shapes to make the artwork more mobile.

An image that would arouse pleasure and surprise for the recipient.

The current research, according to the title, included four chapters.

The first chapter included the research problem, its importance and the need for it, as well as the goal of the research, its temporal and spatial limits, and the definition of the terms contained therein, while the second chapter was devoted to two chapters that included the first topic (The aesthetic values of movement in contemporary arts (while the second research included) movement The third chapter deals with the study of (the movement and its technical characteristics in contemporary arts), and then the investigations resulted in indicators from the theoretical framework, while the third chapter included (research procedures).

It included (the research community, the research sample, the research method, and the analysis of samples), while the fourth chapter included (research results, conclusions, recommendations, and suggestions).

Where the contemporary artist was only able to move forward to search for new and diverse experiences and narrations to introduce the fun factor in the movement of the elements of the artwork, where the aesthetic movement was represented in contemporary currents through the artist's focus on spiritual and emotional values and that the artist was freed from the restrictions of recording visual impressions, as it showed its refusal to represent The objective facts of nature in order to release all the creative energies of the artist.

One of the most important results reached by the researcher is the multiplicity of the nature of the construction of the technical work in the work of the research sample, which led to it being given a technical character that adopted the fit of the form with the material implemented in the completion of the technical work.

The aesthetic of the movement was represented by the movement of color, color gradation, movement of texture, line and shape.