استخدام شكل المرأة في نتاجات في الحضارات القديمة لإنشاء تكوينات خزفية: دراسة تطبيقية

Abstract EN

The current research dealt with the production of contemporary ceramic models inspired by the shape of women in ancient civilizations (Iraq - Egypt).

The research contained four chapters: The first chapter included a presentation of the research problem as well as the importance of the research and the need for it.

The aim of the study lies in: Re-designing and implementing the form of women in the arts of Iraqi and Egyptian civilizations in a contemporary style and vision.

The limits of the research included: 1.

The objective limit: the implementation of contemporary ceramic works that imitate the form of women ۲.

Time limit The form of women (۲۰۰۰-۲۰۲۱) 3.Implemented models (۲۰۲۱ ۲۰۲۲) Spatial limit: (Iraq - Babylon) The second chapter of the research included several topics that served as the theoretical framework and the most important indicators that resulted from the previous studies.

The theoretical framework included two sections: the first topic included: the form of women in the ancient civilization of Iraq, while the second topic: formation and glazing techniques in contemporary ceramics.

As for the third chapter, it contained the research procedures, where the current research community included a number of ceramic models inspired by the shape of women in the ancient civilization (Iraq - Egypt), and the number is (\).

And there are (1) ceramic models.

The researcher relied on the (experimental and descriptive approach) for its compatibility and specificity of the current research, based on indicators that resulted from the theoretical framework as a tool for analyzing the research sample.

As for the fourth chapter, it included the results, conclusions, recommendations and suggestions.

The most important results that the researcher reached are \.

The researcher formulated the figure of Ishtar through cumulative images of the cultural heritage between the exaggeration of the imaginary and mythical symbolization and the exaggeration of the modern semantic disclosure to formulate the presence of Ishtar by interrogating the clay material to show it in the most beautiful pottery composition.

At the end of the research, the research was committed to providing a list of sources and references, as well as appendices and a summary of the research in English.