التجريد والتعين للصورة الذهنية في الرسم المعاصر: دراسة تحليلية

Abstract EN

Human knowledge, in all its branches and ramifications, is based on imagining everything.

Even if it is one of the topics that a person does not find a corresponding (pictorial representation) in the lived reality, because man is in his nature; a being inclined to visualize everything that goes on in his mind, this is the feature by which the human being differs from all other beings.

In the body of his study, the researcher worked on detailing these rationales to clarify the demand.

In the first chapter (the methodological framework of the research), he formulated his problem, which he culminated in: What is the manner in which artists worked in alternating between specific and abstract images to create (image messages) for the recipient to represent A group of ideas that need a lot of explanation and detail? In addition to mentioning the importance of the research, its objective was set, and then terms were defined and defined.

In the second chapter (theoretical framework of the research), the researcher detailed the intellectual processes that range from abstraction to specification of mental images and their relationship to the emergence of concepts.

Then the third chapter was devoted to analyzing some models as a sample for research.

Through it, the researcher reached several results and conclusions in (Chapter Four), and some of the results were: Because of the abstract mental images of (nothing), dispersion, or excitement leading to the expression of things that are not absolutely identical to reality, the artist sometimes resorts to Going from abstraction and back to it again.

Most of the images that artists have represented are images of abstract concepts; does not match My eyes are with the living reality, except in some partial human actions and phenomena.

And the conclusions, including: the coding and innovation leading to the visual representation of concepts by artists; such as fragmentation, pain, loneliness, and anxiety, whose meanings are not achieved in the concrete world except through coding that refers to the realization of the concept; who emerges from abstraction (language) into the realm of possibility and images; It is an abbreviation for much of the pictorial and linguistic explanation.

researcher mode; The sources on which it was based at the end of the research; with which the research was completely concluded.