المؤلف والمتلقي الرقمي نحو خطاب إبداعي مشترك

Abstract EN

Arabic literature witnessed qualitative transformations and transfers.

From oral literature, to written or written oral literature, then to literature originally written on paper, then paper-based literature written or preserved electronically, and now digital interactive literature in college in production, circulation and spread, and the door of creativity is still open to more updates and developments? In view of our openness to digitization, and the emergence of what is called interactive literature, this research paper will try to cover the limits of this digital literature.

Its designations, definitions, then the most important benefits that the interactive creator possesses, as well as the capabilities that were achieved for the interactive recipient that were not available to his predecessor, and finally the caveats that relate to this new textual deformity.