الرمز المحوري و تحولاته في الربيعي : دراسة نقدية

Other Title(s)

Symbol central and transformations in the spring

Author

الخفاجي، تومان غازي حسين

Source

مجلة مركز دراسات الكوفة

Issue

Vol. 2008, Issue 9 (31 Jul. 2008), pp.79-107, 29 p.

Publisher

University of Kufa Kufa Studies Center

Publication Date

2008-07-31

Country of Publication

Iraq

No. of Pages

29

Main Subjects

Literature

Topics

Abstract EN

The experience of the poet, Hadi Al-Rubaie (^tt m) the experience of the poetic impact player in the experience of the modern Iraqi poetry since the sixties until now.

Totals have been issued to him nine poetry, the first in the ranking: Songs of the green jumper strange Menzalthanih issued in ^l^A; the search for time White in ^ 1VV 5 And then departures in ^ 1A^5 then inscriptions on the monument martyr in ^ 1AV? the Last Supper in ^ 11V and issued to him in three sets poetry in ^ * * *, namely: I love you now love you tomorrow, and Al-Darar al necklaces, and finally the world of angels.

The spring was based on product features to the poetic style characterized from other poets, and this is encouraging students to search for extracting these functional advantages of hair spring, the most prominent symbol art embodied in the picture (Burundi) and new orientations to capture the intellectual and aesthetic values of multiple connotations.

The choice of this topic for research based, inter alia self-justification lies in the gastronomic symbol of art in general, and especially Sufi symbol, which are of high inspiration and the ability of the poetic condensation, which gives the artist an opportunity to express the truth Tabkira spontaneously was not yet known the difference between the public and demonstrations Privacy living.

The taste was different from that criticism, however, is the first phase of the task that must be crossed before the critic should stand towards them to ask about the same elements that were a source of artistic Shootout.

That is the self-justification, and there is objective justification, including a few studies that addressed the product of spring poetry in general, The central symbol (Burundi) in particular, the code which has been in the fabric of most reproductive totals reflected the poet, sometimes as negative, advancing through the Headset linguistically Nahyan of my sculpture (light) and (Sandy), even metaphysical openness to the approved welcome break functional nature of language and relationships Only to be met, including the movement and music and shadow Lexical fulcrum.

It is important rationale that paved the way for such a study that focused on the function of literature and humanity, it is no longer modern literature never fun, but intended to be directed feature age because he was born with manifestations of decomposition, anxiety and confusion, and those circumstances may make literature implies Pessimistic, was motivated to become tackling as is the case in the spring instead, but this was the interpretation of this interest in literature and illustrate the value impact in promoting those values, both of which intellectual or aesthetic, at a time when intimidate people from the right Mgsob permission, or the requirement of the project, That is why it should not be conscious of the artist's commitment to the right and found himself in the alien, it is not art unless it's tame without ecstasy, which knows no borders and only if everything Dreamer artists, and more who did not pay attention to the issues of the day, and that is not reason to restrict the artist Newman The partial much as it calls for partial conversion to a humanitarian year.

Say what we need Birthday (Burundi) spring to her smooth and effective influence in the middle of this brutal world, which is heading Sidling pride of the values of right and humanity, and legitimacy, to obey human rights through convergence of bonds and the nation's hopes and thoughts , I heard to say: ((In this age / remain in the forest of fear / Voice animal brutality Squabbling over the remains stuck / But the martyrdom of the first row / granted to the fruition of colour To open branches across the thorny period in the jungle Sword route for the passage of the sun is Christmas)).

American Psychological Association (APA)

الخفاجي، تومان غازي حسين. 2008. الرمز المحوري و تحولاته في الربيعي : دراسة نقدية. مجلة مركز دراسات الكوفة،مج. 2008، ع. 9، ص ص. 79-107.
https://search.emarefa.net/detail/BIM-220180

Modern Language Association (MLA)

الخفاجي، تومان غازي حسين. الرمز المحوري و تحولاته في الربيعي : دراسة نقدية. مجلة مركز دراسات الكوفة ع. 9 (تموز 2008)، ص ص. 79-107.
https://search.emarefa.net/detail/BIM-220180

American Medical Association (AMA)

الخفاجي، تومان غازي حسين. الرمز المحوري و تحولاته في الربيعي : دراسة نقدية. مجلة مركز دراسات الكوفة. 2008. مج. 2008، ع. 9، ص ص. 79-107.
https://search.emarefa.net/detail/BIM-220180

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 102-103

Record ID

BIM-220180