حول قضايا المصطلح النقدي الحديث

Abstract EN

Issues pertainiiig to contemporary critical terms have lately undergone dramatic changes.

A growing number of present-day researchers attest to the significance of critical terms in so far as they serve as an essential component in the process of literary criticism.

To them, a critical approach is both efficient and serious thanks to terminology that dubs as scientific the study of creative writing belonging to different genres; also relevant is the delineation of basic aesthetic and intellectual principles upon which creative writing depends.

Furthermore, contemporary critics believe in the decisive effect terminology has in fine tuning concepts and opening up vistas for a clear vision.

That function guarantees an objective approach and bridges the gap between academicians on the one hand and creative writers and critics on the other.

In addition, various types of terminology in different fields of knowledge are considered the primary conduits between branches of human sciences.

Such rich variety also acts as connecting links between people effecting their cultural communication, It is no longer valid to draw a separating line between proud benefactors and modest beneficiaries.

Nevertheless, the instability of terms still features as a pressing problem in studies of methodology, particularly in the humanities and even more so in literary and critical studies.

The foregoing problematic issues are surveyed in the present paper.