توظيف المصطلح اللساني في دراسة العروض العربي

Abstract EN

This paper consists of an introduction and two sections.

The introduction highlighted the significance of the paper and the method adopted in the study.

Section One represented the theoretical introduction from which to start studying meter and rhyme .The study differentiates between rhythm and performance between the rhythmic phenomenon and phonological phenomenon, and between poetic rhythm and musical rhythm.

The elements of poetic rhythm, which are frequency, time and receiver, were also discussed.

Various rhythmic systems as well as the relationship between the linguistic system and rhythmic system were also tackled.

Section Two studied the meter.

The syllable was considered as an essential element of the foot.The transformation of the syllables was also considered as a basis for studying zehafat (a slight quantitative change).

The addition and deletion of syllables was taken as a basis for al-ilal (a great quantitative change in the last foot).

The rhyme was also studied, especially its components.

I readied the conclusion that three components, which have no phonological basis, should be deleted.

In the conclusion the most important results were given.