صورة الغزل الأندلسي في شعر بني الأحمر

Other Title(s)

The Image of Andalusian Lyrical Poetry among Al-Ahmar Tribe

Joint Authors

علوان، قصي سالم
الجاسم، فالح حمد أحمد جاسم

Source

آداب الرافدين

Issue

Vol. 2010, Issue 56 (30 Jun. 2010)35 p.

Publisher

University of Mosul College of Arts

Publication Date

2010-06-30

Country of Publication

Iraq

No. of Pages

35

Main Subjects

Comparative Literature

Topics

Abstract EN

Alahmar Tribe lived in Granada, which was located south of Andalusia, and took it as their capital after the collapse of Almuwahideen Government.

Lyric poetry by Alahmar Tribe in Granada reflects the tendencies and the nature of their era; as a matter of fact it is a common aspect of opulence and wealth poetry for men of letters in this period.

This characteristic of Alahmar Tribe distinguished them in Granada, the most famous region in Andalusia.

Arabs were charmed by the beauty of its fascinating nature.

Because it is located within a geographic environment full of natural beauties, full of artistic inspiration, in addition to the wide literal prosperity which was evoluted by many writers and poets such as Ibn Ilkhateeb, Ibn Zamrak, Ibn Khatima, Ibn Ajjayab and others.

Also the religious tolerance that characterized the Andalusian woman during the era of Al-Ahmar Tribe ruling period, and pornography that characterized her within the classes of the Granada society; woman were appearing unveiled to participate in joys of life.

She used to mix with the other sex.

According to what is mentioned above, forms of lyric poetry became vary common aspect dominating that era including: chasten poetry, sensational lyric poetry, and flirting male poetry.

Imaginations by poet became very wide and they inspired what they wanted from lyric poetry images that associated the minds of the poets with their sensations expressing their poetic experience through a special tropic context.

A poem for them is a group of images connected with each other successively when they present us a simplest part of imagination until it reaches to draw the compound image that consists of a group of interactive images finally aims at presenting a total and general image containing the poem itself.

According to this view the current study of image included the single image with all its various forms, such as simile image and metaphorical image, also the sensational image with its all various types such as visual, auditory and tasty images, in addition to studying the mental image.

This image is based on synchronizing senses.

The study also deals with the compound image, the total image as well as studying the resources that those images were inspired from.

American Psychological Association (APA)

علوان، قصي سالم والجاسم، فالح حمد أحمد جاسم. 2010. صورة الغزل الأندلسي في شعر بني الأحمر. آداب الرافدين،مج. 2010، ع. 56.
https://search.emarefa.net/detail/BIM-250081

Modern Language Association (MLA)

علوان، قصي سالم والجاسم، فالح حمد أحمد جاسم. صورة الغزل الأندلسي في شعر بني الأحمر. آداب الرافدين ع. 56 (حزيران 2010).
https://search.emarefa.net/detail/BIM-250081

American Medical Association (AMA)

علوان، قصي سالم والجاسم، فالح حمد أحمد جاسم. صورة الغزل الأندلسي في شعر بني الأحمر. آداب الرافدين. 2010. مج. 2010، ع. 56.
https://search.emarefa.net/detail/BIM-250081

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش

Record ID

BIM-250081