الدلالات الشكلية للفن العربي الإسلامي في الرسم الأوروبي الحديث : هنري ماتيس، و بابلو بيكاسو، و بول كلي أنموذجا

Abstract EN

Broaching al-Islam a new record and a bright page in history, as it had not gone a few years even spread the Islamic Advocating in more than half of the world, and entered in the Islamic religion, races and ethnicities, cultures and civilizations, peoples and countries, and remained with the Islamic religion, the basis of Islamic civilization and the source of inspiration and admission to all the values and norms and behaviors.

As a result of the unity of the geographical spread by the banners of Islam, it has got the process of cross-fertilization and exchange of cultural knowledge and the blending of among all people, was founded for the advancement of civilized Islamic distinct, has occupied the arts generally, and architecture in particular, rank developed between formats arts creations in imagination, hand and spirit of the Islamic ...

Has employed all the methods and articles to get to the end World of aesthetic form and the significance of content, as well as excelled artists in the use of font, color, pattern and decoration and lighting to bring a more labels pomp and beauty of the place, down to the flat form and content and to clarify the significance of ...

Between our hands and manyofthosetreasures (Qajpp35..

However, it has spread currents of modern art in Europe in the Arab countries, but in many parts of the world and entered the currents and schools in the tradition of modern art in our country, even absent a personal art and heritage and to become cash is going on, on the trends most touched, and became the new standard for the legitimacy of art modern, is the limits of technical schools that adopted artists and adoptedbyartschoolsinArabcountries.