أبعاد الصورة السمعية و الإيقاعية في (نهج البلاغة)‎

Abstract EN

This research will try –with the help of Allah Almighty- to question the audio image and the intonation of the rhythmic image in Nahju-el-Balagha.

Its way to do that is through different focal points which are in the heart of the matter: The first of which is : Framing the concept of audio and rhythmic image in the eyes of the researcher.

The second of which is: Detecting the mechanisms of the audio image in words, and structures, as well as the module of the silent and the implicitly silent images, then we end with the mechanism of the auditory antagonism.

The third of which is: Detecting the mechanisms of the rhythmic image in the semantic rhythm of words, and repetition of letters, words, and images to achieve the Photography Scene.

Note that the research will depend on the analytic procedure according to selected and innovative samples of the Imam's speech, to extract from its gems what we can extract and to be guided by the seriousness in the presentation of the technical corners of some of these sample scripts, or to complete some of the rhetorical visions of these samples under the perspective of (the audio and rhythmic image) in this research.

Either succeeded or failed, it suffices me that I tried to hear Ali (Peace be Upon Him) and no one else as Mohammed Tahir Darweesh said.