الصورة الشعرية : المتن الشعري الجاهلي نموذجا

Abstract EN

This study deals with an applied methodological-practical view which intermixing between semantic and theoretical elements, interpretive approaches and esthetic norms.

The study is based on presentation of the penetrating idea in the text which analytically change into a series of reading incidents.

The linguistic occurrences embodied in the structure closely associated with movements and dreams.

The poetic images are presented according to the formulated iconics leading the reader in experience and memory to their depths, whose surface does not reflect its content.

Their depths are hidden behind a set of structure curved and convex seeking the muted which is rooted in the image as a realm of visions and thoughts, exceeding the substantial and the insubstantial mixing the mental with the real.

The Pre-Islamic poetic text was a practical field where the epistemological and critical systems roaming with the esthetic evaluation as a text renewing with life.

Similarly the objective realm revolves stimulated by imagination incarnated by memory announced by the language distant from austere conventions and cruel boundaries reaching up to boundaries of freedom and beauty.