التناص في تصميم الأشكال البصرية بين السجاد الشعبي الوادي-رافديني و السجاد الشعبي للهنود الحمر

Abstract EN

This research concerned about studying the Intertextuality In designing the optical shapes of the Mesopotamia Public 005 carpets and Public Carpet in the Red Indian Culture, and consisted from four chapters , first one concerned about the problem of research which is briefed in the following query : Is there anyIntertextuality in designing the optical shapes of the Mesopotamia Public carpets and Public Carpet in the Red Indian Culture? Also the importance of the research and need for it, is also included in this research plus the goal of this research which is briefed in discovering the Intertextuality in designing the optical shapes of the Mesopotamia Public carpets and Public Carpet in the Red Indian Culture.

In addition the first chapter included the time,place and subjective borders and definitions of terms.

This research also included the second chapter ( theoretical frame ) which is consisted of three sections : first one tackled with : 1- Mesopotamia arts (historical study) 2- Arts of red Indian ( historical study) The second section included the concept of intertextuality in the art.

Third section included : 1- Evidences of geometric shapes in the ancient cultures and intellectual approaches.

2- The artistic construction for the optic shapes in the public carpet.

While the third chapter included procedures of the research and analyzing the sample of research.

Fourth chapter dealt with the results that emanated from the analyzing of the sample , conclusions , recommendations and suggestions and the resources that the researcher have relied on.