الاتجاه القومي في الشعر الموصلي (1900-1958)‎

Abstract EN

The religious, national concepts and feelings have been unintentionally mixed in the Mosuli poetry till the beginnings of the twentieth century.

The research is limited to three aspects which embodied the national attitude : 1.

Awakening of national patriotic feeling.

2.

Call for Arab unity 3.

Supporting the Palestinian issue and liberation movements in the Arab countries The research has found that there were seeds of national feelings in the early twentieth century.

Poets stood against the policy of Turkification and caller for national resurrection and they also dealt with the problem of Mosuli the national feeling increased in the thirties and fourteen of the twentieth century to the extent that some racial beliefs were penetrated into the poetry of a number of poets .

the first and second generation did not lose the belief in national concepts in spite of all the drawbacks .

The enthusiastic direct discourse was the characteristic of most provocative national poetry but the good poetry has some powerful formation and beauty of rhythm, the most prominent of the first generation was Muhammad Habeeb Al-ubaidi, Ahed Mahmood Al- Bakri Mahmood Al- Mallah, Ismail Haqi Farag and Fadhil Al- Saidali Followed by a second generation like Abdul - Al-chadarchi, Mohammed Wagdi Al-Sharbati.

Tharoom Shihab and Basheer Mustafa, Then comes a more modern generation represented by Shathil Taqa, Ahmed Qasim Al- Fakhri, Hazim Sa’eed Ahmed, Mahmmod Al-Mahrooq, Gharbi Al-Haq Ahmed, Adnan Al-Rawi, Akram Fadhil, Abdul-Haq Fadhil And Abdul- Hameed Al-Lawand.

The artistic trends were clarified and specified ranging between new classicism and Romanticism.

Some of the poets were characterized by a sarcastic critical realism.