تطور عمل المخرج في المسرح العربي المعاصر : نماذج عراقية

Abstract EN

These three models emphasize that atheory for the theatre has no leoun-drics ; it is the heritage of humanity.

There may be arebellious generation againt another, but the theory is for from the struggle of methodology and undercurrento.

Creatuiity has to have basics and fandation ; balanced sules.

The theatre in the Arab world canimat develop without the benbit of the heritage of the world theatre.

This does not deny the usage of the enuironmenel characteristics