قراءة الصورة التشكيلية بين الحقيقة و الإيحاء

Abstract EN

This study aims to provide theoretical introduction and a consistent analysis of the art work، in order to comprehend and causing the viewer to have better understanding of image language، its humanity value، its reality and connotations problem، to be achieved by following the procedural steps adopted descriptive approach tools to confine and analyze some of components and both outward and inward elements that suit visual art reading.

The results were as follows: The fine art image is a universal visual fact that organizes and exposes life، presents it in multiple methods.

People differ in the level of production، degree of employing and mechanism of reading of image، according to their culture، technical expertise، entrances of vision and ways of thinking and training.

Contributing of image in raising the aesthetic feeling and exploiting the potentials of the recipient with the information that it convoys at the same time، whether they are acceptable or reprehensible meanings and connotations.

The viewer interacts with fine art image، honestly، with intimacy and frequently; when it recalls the viewer’s memory and draws his attention and confidence by the excitement and attraction.

The fine art image has always new situation، which reflects the spirit of society and the era، and tells the story of the acceleration patterns of life around us، and multiplicity of the art school visions.

An Artist is the basis of control within the image through his connotation، technical expertise and professionalism.

Image، unlike the cultural and humanitarian means of communication، that is by the ability of reading and perception through various levels، from all age groups، it affects them all to various degrees.

The researcher recommends and suggests further studies in this vital area of scientific aspects in the local environment.