الصورة الإيقاعية في شعر الفرزدق

Abstract EN

Some characteristic rhythms in Al- Farazdaq’s poetry that reveal his rebellion and pride are: The high incidence of Kharm, the low incidence of Tasrit the overuse of Al-Tawil meter, rhymes ending with Damma, powerful music and outlandish diction.

The features reflect the inner workings of his psychological state, conscious, a state nurtured by the Badia tradition and his personal pride in his tribe.

His psychological state was also shaped by the intensity of his animosities and his feeling of interiority resulting from lack of interest of women in him Failure to achieve a powerful position in his tribe was also instrumental in shaping his psychological state.