التقنيات التراثية في مسرح عبد القادر علولة

Abstract EN

The Algerian people, like the other Arab countries, have not used to know theatre except in the second half of the Eighteen century, through their direct contact with Europe.

However, they practice a set of forms and popular modes that resemble the theatre and include some patrimonic techniques in its artistic structure.

Similarly, many playwrights incorporate a folkloric or patrimonic techniques.

Alloula is a prominent Algerian playwright who inspires such mode of patrimony in his plays, and he aims to create through these techniques a local and popular mode of expression.

Thus, unlike other Aristolian Western forms Alloula promises to employ an effective popular mode of expression.