المضامين الجمالية للتصوف في مسرحيات ميخائيل نعيمة

Abstract EN

Mysticism that constitute the framework of human knowledge , especially linguistic trend artistically and intellectually Aatviadea doctrine distinguishes it from other people I have a lot of east and west , old and new .

Sufism this concept and thanks to the faith of his companions it was able to present himself as a structure of human knowledge and spiritual tendency ; ...

making it appear strongly in the movement of the conflict the spiritual , intellectual and religious together .

The beauty also from the conventions of Sufism , where the real beauty of them is a recipe eternal God , and a descriptions upper and names bono on the whole, but in particular , Vsfah compassion and science and kindness and blessings and generosity and Alraezkih and benefit and the likes that all of the qualities of beauty .

Affirms Plato that simple self constant, unrelated article , but are spiritual can not be achieved salvation only in the spirit world stage effect ab patience and liver , and that the same three forces are offset by the virtues of justice , wisdom, and the presence of these forces is the balance in the human psyche are her when control will wise in this and in art and mysticism tasting beauty is the goal , the beauty of the Creator and the manifestation of the absolute in the creature , and take care of the beauty of words and the beauty of the melody and the beauty of the image , as well as out of the absurdity of looking at the beauty of that beauty .

Mikhail Naima of the twotasted the beauty of mysticism and Gesdoh in their offspring literary particularly theatrical him Ayoub and play is one of those productions that carried with it a sense of mysticism in spirit , thought and this unfortunate is visible in the third quarter through the analysis of the play extensively .