نقد الشعر الجاهلي عند عبد القادر الجرجاني (ت 471 ه)‎

Abstract EN

He was the imam Jerjani interpretations of the aesthetic indication taste authentic cash, which is indicated by the Maagath technical and aesthetic from which tried to detect reservoirs of creativity in poetic discourse in general and belongs to the era before Islam in particular.

This was exemplified by the best of pictures in books (signs of miracles and mysteries of rhetoric), especially the last of them when a century endoscopy application a way to demonstrate the aesthetic value of the art of rhetoric, whether graphic or Bdieih or those related to the knowledge of the meanings indicating reflection on the aspect of sense in this speech or that.

He studied Imam simile and metaphor and representation, which always alludes to the "meaning of meaning" is based on the varying levels of influence and significance together a comprehensive look deep indicate the depth of the intellectual in Ann myself.

In spite of the decision of Imam approach mentally in some of it is based on him by the explanations of the desirability of this speech or that, but we are the disappearance of the coupling of these rational sense technician accurate citizen beauty in the art of saying which explains its uniqueness in the analysis and interpretation of some of the poetic texts that came to address the implications of technical preceded by critics, even as it stood in some of his reading position discussion and the courts to the opinions of his predecessors and perhaps this was a new thing in his approach cash according to the opinion of a critic updated, was his cash about the poetic texts generally and ignorance in particular resonance for his looks rhetorical, not an end in itself.

In accordance with the foregoing, we can say that the Imam Jalil adopted the trend artwork in his critique of the texts of poetry ignorance way to detect meanings or targets envisaged by the poets in their speeches and they have followed the ways of art to an end that satisfy the taste of the recipient, whether intentional discourse or Guy intended it.