آليات التناص و مظاهره في مسرحية الأستاذ (أحمد رضا حوحو)‎

Abstract EN

Raise some questions on the artistic level of playwriting at the dramatist RédhaHouhou again is a new restoration of the creative capacity of the featured author on the art scene Algerian theater.

And promote this activity as a new artistic style and feature new unique phenomenon in terms of the nature of dramatic texts of his day and the next, especially as year transfer of writing on one side of the daily consumption and on the other hand his absence to the reality of creation and creativity.

The recovery process and the integration of dramatic texts of the author requires analysis and resource exploration, and stylistic characteristics by subjecting them to various methods of modern criticism that highlight the impact of the structure literary and theatrical, including methods that seek to clarify the concept of correlation between the texts called the theory of intertextuality.

From this point of view, the main issueisputbelow : The issue : Where do we find the mechanisms of intertextuality and its forms in the theatre of Ahmad RedhaHouhou ? The idea ofrenewalin research : Centered raise other issues in the field of Algerian literature playwright and theater in particular RedhaHouhou who previously knew only in narrative, then it is one of the pioneers of modern Algerian theater.