المسرح الجزائري و إشكالية النص : طروحات ما بعد الاستقلال

Abstract EN

After the independence of Algeria, the government has given a great importance to the culture, in general, and to the theater, in particular, for its primordial role for the sensitization of people.

This is the reason why after the independence, the Algerian theater was at the same level of cultural, economic and political transformation known by the country.

Its specific trait was the popular dimension which is closely linked with the population which came from the nature of theater that reveals its era, and pursues the development of different cultures.

The Algerian theater of the independence was a theatrical representation within the Algerian theater, and the members of the theatrical groups dealt with these representations.

Although inspired by the international theater, the Algerian theater, as reflected in its sources, has not lost its specificities in the methods of expression and forms inspired by the real, to achieve an Algerian text at the level of events, persons, and preserve its artistic structure, and this by transferring the environment in which events unfold of the original part to an environment typically Algerian.

The Issue : Due to the lack of domestic the atrical text artists were forced to quote and translation to cover the Short fall before the theatrical arena, what the nature of the Algerian theater after the independence ? What are the major arguments ? Could the theater directormanagedthroughthetranslatedtextandquotedtobridgethegapdefined by the theater post, colonial Algerian ?.