تشييد الدلالة القصصية في قصة "أبونا" لنزار عبد الستار

Abstract EN

The story of "our Father" one of the stories in solidarity with other stories to form a code narrative of the Iraqi distal Nizar Abdul Sattar in his narrative, "the smell of cinema" as dealing with the text title irony to the narrative board, father present in the title do not find it effective Gaúah and presence of the narrative through it, but we return to the father "Mother" is the effective in attendance and have the power to influence who lives in the house (imprisoned) in it, the narrator or narrators who run the helm of telling are those who exercise their mother's authority and suppressed so as to reach an end the execution of their masculine identity, and alternating the narrative between the two moments in time is separated by a (door), which form a barrier material and moral exterior, which represents suppressed liberty, and the home which has become by prescription and to get used to real life with no elusion in it, making them go beyond the physical barrier to effect their memory in the construction of life packed the items inside the real and fantasies abroad, they are in All of this live double the ability to story telling as Construction what is realistic, and the inability to break the power of maternal which drove them in the end to integrate with the state of deprivation and refraction experienced is due to the absence of a father who exists the address and that surprised us text fiction its absence or And will be determined by our approach to this text in the three axes, tells the first semiotic address which caused the problem of literacy to leave him tags, and the second pays tribute to significant space consisting of elements of time and space, and overlapping visions through which, and the third axis was built architecture of self-missing in the title of present its effectiveness text represented by a female, a mother and a wife who is suffering repression, deprivation and fragmentation of consciousness.