التصوير الجداري بين مفهوم التصوير و العمارة : دراسة عن علاقة التصوير الجداري (بفن التصوير و ارتباطه بالعمارة)‎ على مر العصور

Abstract EN

This study aims to clarify the relationship of mural painting with all of the art of painting and architecture, where we could find the mural tracing the idea of the theme and design of the foundations of the formation of technical art of painting, while people carried on the walls architectural through materials appropriate for those walls and techniques emphasizing the idea importance of the design of the mural and fit in with the surrounding environment .

So mural painting is the firstly touch set by primitive man on the walls around him that whether caves or tombs or temples .....etc, in order to express their thought, fears , feelings and emotions of which produced result these fees .

And the evolution of man through the small communities that have become civilizations , and each civilization trait -specific in terms of the thought and philosophy of these peoples and their beliefs and requirements The mural painting follows the boom or the decay of any period of time, or the invention of many pictorial surfaces (such as canvas, which on easel), and the evolution of technology in the construction of modern architecture and the appearance of the buildings with glass walls.

This does not prevent coloring of the glass, to, but mural painting still exists irreplaceable in any era, because it is human instinct in beauty mahola from the walls.