حضور الأغنية الشعبية في خطاب إميل حبيبي المسرحي : الأغنية الشعبية الفلسطينية في مسرحية "أم الروبابيكيا ؛ هند الباقية في واد النسناس-مونودراما" نموذجا

Abstract EN

The aim of this study reveal to recruit semantic space for the recruitment of folksong in the Palestinian narrative of Emile Habibi's theatrical discours in the form of a senior play;"Ommulrobabikia -Hind remaining in the Nessnas Valley-Monodrama" by determining the artistic value of the repositioning in the text and to monitor patterns of totals and statement implications, and the definition of the importance of his role in directing theater as a whole.

The song used carefully in the text as a stylistic markers to call history and tangible and intangible heritage and national identity of the Palestinian people.

in the face of alienation and erasure carried out by the occupier against the entire existence to Palestinian native land, alienation and erasure carried out by the occupier against his presence on the ground and the entire homeland.

It constitutes the fabric of unity with the language of literary expression in the creative experience.

a folksong has played as well as other elements of the theater an important role in the production of dramatic event in the text.

The Author connecting the joints of the narrative drama about the results of Nakba 1948 and the Six Days War (defeat in 1967), the most important consideration theatrical text is argumentative asylum (exile) and return to the homeland, as stated by the heroine play Hindulbaqeit fee Wadennesnas, to be taken by the writer as spokeswoman case of all Palestinians displaced.

Rather, the narrative vision of the writer exceeded its time to meet with the results of the case and the tragic reality of the Arab living in several Arab countries with different motives.