قصيدة النثريلة : قراءة في البنية الإيقاعية لنماذج من شعر (النثر-تفعيلة)‎

Abstract EN

The researcher, in this paper, studied a new format of prose pcem.

This new form-at is consisted of rhythmic constructi-ons, but they are not disciplined to the troc-hee, not without also rhymes.

So it is a new col-our in belween; between prose poem and free verse.

The study analyses some poems of poets who wrote that dual format.

However, the researcher's aim was not to achieve an intr-ospecttive extrapolation or a survey resea-rch, much as he aimed to shed light on a literary genre through specific poetic exper-iences.

Since the proposed classifications does not help in the classification of those texts- that are considered of prose poems-the researcher tried to propose a new term to distinguish this poetic form.

The study shows that some experiences of modem poetry is not limited to the use of trochee haphazardly, but it try to devise re^ilar formations, as if it was artificially meters, often associated with rhymes.

Thus, this study is an attempt to detect undeclared mode of modem poeüy, and name it, to give it its independent birth cer-tificate.

]£ طه frend intensified and had ظ broad experience and responses, that will lead to predictable reopening of rh^limic alternatives of AMialil meters and free verse together, not by neglecting the Arabic poetic music, but by turning in its orbit, in an Arabic spirit which can regain its virginity of poetic music