تناوب فاعلاتن و مستفعلن في شعر أدونيس : قصيدة (هذا هو أسمي)‎ أنموذجا

Abstract EN

This research aims at analyzing the rhythmic rotation order between two foots: Fa’elaton, Mostaf’elon within the poem Hatha howa Ismee by Adonees.

This problematic order is consolidated by several formal effects, such as: first person, deviated grammatical structure, punctuation marks, and the disposition of the two foots towards creeping, revolving and repetition with uniqueness in quality and quantity.

The research concludes that the rotation of (Fa’elaton, Mosraf’elon) is built on different musical bonds which by giving wrong technical judgments, wich the research tried to correct.

The directions of the research discover an effective hidden power of creeping, revolving and repetition that harmonize with lingual, emotional and imaginary structure through the poem.

Adoness ulilizes this characteristic feature to add new poetic writing style through a new modem potic vision which penetrate significations and musical verse.

In addition, it sets up a new specific addition to the rhythm of modem Arab verse