ملامح التمرد في حركة الفلوكسس

Abstract EN

This designated research has addressed the ( features of the rebellion of the Fluxus movement) nature of the concept of the rebellion and the mechanisms of its effects in the movement of the after-modernessFluxus.

The research problem is represented by the following question : How did the concept of the rebellion and absurdity emerge? The research has encompassed four chapters.

The first chapter has considered the methodological framework of the research,embracing the research problem , its importance , the need for it , the objective of it ; which was summarized in ( exploring the features of the rebellion of the Fluxus movement ).

It also included identifying the limitations of research and definitions used in the research.

The second chapter , constituting the theoretical framework , has included two topics : 1.

The first topic : the rebellion in the philosophical conception.

2.

The second topic : the absurdity of rebellion in the Fluxus movement.

This chapter has also included the indications of the theoretical framework of the research.

The third chapter has covered the procedures of research , the frame of the research population , the research sample , the tool and credibility of the research , the research methodology , and the sample analysis.

The fourth chapter has implied the results , recommendations , and suggestions which the researcher has concluded.

The researcher has reached to some results which may have answered the goal of the research , such as : • The concept of rebellion in the fluxuswas connected to the imagination of the artist and its synthesizing capability which is recognized by the weirdness of the visual view , relying on the technological effects ( the electronic worlds) as a consumption system composed of ready objects ( vanishing ).

• The body is part of a modern culture , promotional theme , and consumption purpose that gained importance among the Fluxus artists through utilizing the human body in their artistic production which seeks liberation from all physical and mentalsuppressions.

Consequently , it urges to create the total chaos ,guided incitement, and the desultory oriented action which contradicts the art movements and its noble value.

This chapter has also contained some conclusions , some of which are : • Both the rebel and absurd conceptions are connected to the logic of nihilism and disassembling through blasting the center and margining the human being which has become submitted to the dominant repression manners , the suppression , violence , brutality , horror , and death.

• The supremacy of obscenity and the deterioration of the moral deterrent is deemed inevitable result of the verification of the fluxusartsits on the lusts and sexual desires and relevant consumption culture.

The fourth chapter has also included recommendations , suggestions , references , and annexes and an executive summary in English language