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تقنيات القناع : أقنعة مسرح (النو) أنموذجا
Other Title(s)
Mask technology : masks theater (Nau) a model
Author
Source
Issue
Vol. 2016, Issue 115 (31 Mar. 2016), pp.275-292, 18 p.
Publisher
University of Baghdad College of Arts
Publication Date
2016-03-31
Country of Publication
Iraq
No. of Pages
18
Main Subjects
Topics
Abstract EN
Mask his presence record in almost all civilizations and cultures successive particularly during liturgical celebrations and religious, as this presence in everyday life seemed then go to the theater to become an expression of aesthetically pleasing in terms of formation Representative and other aesthetic of the product employs theatrical performances throughout the periods of the history of the theater.
Our selection of the subject (the mask technique) necessarily imposes an orientation aesthetic choices and techniques related to it and different from other aesthetics on the level of representation of actor such as animation, sound, speech and gesture and the rest of the display elements of fashion and decoration and others.
Hence our study to look at the mask techniques, and taken from the scene (Nau) Japanese have a model.
American Psychological Association (APA)
زيد سالم سليمان. 2016. تقنيات القناع : أقنعة مسرح (النو) أنموذجا. مجلة الآداب،مج. 2016، ع. 115، ص ص. 275-292.
https://search.emarefa.net/detail/BIM-702006
Modern Language Association (MLA)
زيد سالم سليمان. تقنيات القناع : أقنعة مسرح (النو) أنموذجا. مجلة الآداب ع. 115 (2016)، ص ص. 275-292.
https://search.emarefa.net/detail/BIM-702006
American Medical Association (AMA)
زيد سالم سليمان. تقنيات القناع : أقنعة مسرح (النو) أنموذجا. مجلة الآداب. 2016. مج. 2016، ع. 115، ص ص. 275-292.
https://search.emarefa.net/detail/BIM-702006
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش : ص. 290-291
Record ID
BIM-702006