تقنيات القناع : أقنعة مسرح (النو)‎ أنموذجا

Other Title(s)

Mask technology : masks theater (Nau)‎ a model

Author

زيد سالم سليمان

Source

مجلة الآداب

Issue

Vol. 2016, Issue 115 (31 Mar. 2016), pp.275-292, 18 p.

Publisher

University of Baghdad College of Arts

Publication Date

2016-03-31

Country of Publication

Iraq

No. of Pages

18

Main Subjects

Arts
Literature

Topics

Abstract EN

Mask his presence record in almost all civilizations and cultures successive particularly during liturgical celebrations and religious, as this presence in everyday life seemed then go to the theater to become an expression of aesthetically pleasing in terms of formation Representative and other aesthetic of the product employs theatrical performances throughout the periods of the history of the theater.

Our selection of the subject (the mask technique) necessarily imposes an orientation aesthetic choices and techniques related to it and different from other aesthetics on the level of representation of actor such as animation, sound, speech and gesture and the rest of the display elements of fashion and decoration and others.

Hence our study to look at the mask techniques, and taken from the scene (Nau) Japanese have a model.

American Psychological Association (APA)

زيد سالم سليمان. 2016. تقنيات القناع : أقنعة مسرح (النو) أنموذجا. مجلة الآداب،مج. 2016، ع. 115، ص ص. 275-292.
https://search.emarefa.net/detail/BIM-702006

Modern Language Association (MLA)

زيد سالم سليمان. تقنيات القناع : أقنعة مسرح (النو) أنموذجا. مجلة الآداب ع. 115 (2016)، ص ص. 275-292.
https://search.emarefa.net/detail/BIM-702006

American Medical Association (AMA)

زيد سالم سليمان. تقنيات القناع : أقنعة مسرح (النو) أنموذجا. مجلة الآداب. 2016. مج. 2016، ع. 115، ص ص. 275-292.
https://search.emarefa.net/detail/BIM-702006

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 290-291

Record ID

BIM-702006