الأشكال المركبة في فن بلاد الرافدين

Time cited in Arcif : 
2

Author

يوحنا، مجيد كوركيس

Source

مجلة الآداب

Issue

Vol. 2016, Issue 115 (31 Mar. 2016), pp.627-656, 30 p.

Publisher

University of Baghdad College of Arts

Publication Date

2016-03-31

Country of Publication

Iraq

No. of Pages

30

Main Subjects

Arts

Topics

Abstract EN

Composite –Figures in the art of Mesopotamia .

The artist used the Composite-figures in the Sur-realism ,to clear the religious thoughts that cannot be talked about it in the realism art.

The art was the only tactic affecter media way that talked about the different sides of the religious thought and the life thought in the human life of Mesopotamia , from the appearance of civilization in the pre-historical times , and development of it in the historical -periods in Sumerian, Akkadian, Babylon and Assyrian.

In this period , we can't or reached to the truth in the Mesopotamia civilization without the know of religious thought in it, Because the civilization in Mesopotamia is built on two sides.

The thought side built on the religion and the side of materialistic built on the mud.

American Psychological Association (APA)

يوحنا، مجيد كوركيس. 2016. الأشكال المركبة في فن بلاد الرافدين. مجلة الآداب،مج. 2016، ع. 115، ص ص. 627-656.
https://search.emarefa.net/detail/BIM-702108

Modern Language Association (MLA)

يوحنا، مجيد كوركيس. الأشكال المركبة في فن بلاد الرافدين. مجلة الآداب ع. 115 (2016)، ص ص. 627-656.
https://search.emarefa.net/detail/BIM-702108

American Medical Association (AMA)

يوحنا، مجيد كوركيس. الأشكال المركبة في فن بلاد الرافدين. مجلة الآداب. 2016. مج. 2016، ع. 115، ص ص. 627-656.
https://search.emarefa.net/detail/BIM-702108

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 652-653

Record ID

BIM-702108