الأشكال المركبة في فن بلاد الرافدين
Author
Source
Issue
Vol. 2016, Issue 115 (31 Mar. 2016), pp.627-656, 30 p.
Publisher
University of Baghdad College of Arts
Publication Date
2016-03-31
Country of Publication
Iraq
No. of Pages
30
Main Subjects
Topics
Abstract EN
Composite –Figures in the art of Mesopotamia .
The artist used the Composite-figures in the Sur-realism ,to clear the religious thoughts that cannot be talked about it in the realism art.
The art was the only tactic affecter media way that talked about the different sides of the religious thought and the life thought in the human life of Mesopotamia , from the appearance of civilization in the pre-historical times , and development of it in the historical -periods in Sumerian, Akkadian, Babylon and Assyrian.
In this period , we can't or reached to the truth in the Mesopotamia civilization without the know of religious thought in it, Because the civilization in Mesopotamia is built on two sides.
The thought side built on the religion and the side of materialistic built on the mud.
American Psychological Association (APA)
يوحنا، مجيد كوركيس. 2016. الأشكال المركبة في فن بلاد الرافدين. مجلة الآداب،مج. 2016، ع. 115، ص ص. 627-656.
https://search.emarefa.net/detail/BIM-702108
Modern Language Association (MLA)
يوحنا، مجيد كوركيس. الأشكال المركبة في فن بلاد الرافدين. مجلة الآداب ع. 115 (2016)، ص ص. 627-656.
https://search.emarefa.net/detail/BIM-702108
American Medical Association (AMA)
يوحنا، مجيد كوركيس. الأشكال المركبة في فن بلاد الرافدين. مجلة الآداب. 2016. مج. 2016، ع. 115، ص ص. 627-656.
https://search.emarefa.net/detail/BIM-702108
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش : ص. 652-653
Record ID
BIM-702108