تغيرات البعد الثالث في التصوير السوري المعاصر

Abstract EN

Contemporary painting in both International and Syrian art has affected the Third Dimension in painting causing transformation and deviation from the classical and academic style both in structure and technique.

These transformations and deviations are described in this paper whether by structure overlapping or by the transformation background, since not every change or deviation is necessarily progressive or expresses a new view point, as that change and deviation are considered as mistakes as well.

Also analyzing and forming the Third Dimension in modern art requires a sensual and mental perception that is based on psychology and sociology.

It requires a combination of various effects such as sense, imagination, memory, dreams, and selective and collective analysis too.

This paper concludes that reaching a progressive change in contemporary Syrian painting is not possible without the artists.

Thus conscious perception is apperception that is based on a background, a philosophy and a technique to present this progressive change in the Third Dimension.