جماليات الشكل الفني في التصوير الحديث

Other Title(s)

Aesthetics of forms in modern painting

Joint Authors

سلوم، سائد
علي سليمان

Source

مجلة جامعة دمشق للعلوم الهندسية

Issue

Vol. 28, Issue 2 (31 Dec. 2012), pp.625-643, 19 p.

Publisher

Damascus University

Publication Date

2012-12-31

Country of Publication

Syria

No. of Pages

19

Main Subjects

Arts

Abstract EN

The revolution of Aesthetics in Modernity is a complete transformation in the artificial form painting, and it changed the imitation to a new form.

Painters changed the form by their mentality and sensuality which accompanied the scientific revolution, technology, sociology, psychology, and psycho-analysis.

So the Aesthetics of forms appeared in Expressionism through powerful expression, and spontaneity.

In Dadaism, Aesthetics were shown clearly using contrast.

In Surrealism, it was expressed in dream and the unconscious.

In Abstraction, it depended on the reason , intelligence and spirituality.

In Social realism, Aesthetics depended on the social contents of the form.

These differences came as a result of the intellectual and sensual interaction in modernity.

American Psychological Association (APA)

سلوم، سائد وعلي سليمان. 2012. جماليات الشكل الفني في التصوير الحديث. مجلة جامعة دمشق للعلوم الهندسية،مج. 28، ع. 2، ص ص. 625-643.
https://search.emarefa.net/detail/BIM-751909

Modern Language Association (MLA)

سلوم، سائد وعلي سليمان. جماليات الشكل الفني في التصوير الحديث. مجلة جامعة دمشق للعلوم الهندسية مج. 28، ع. 2 (2012)، ص ص. 625-643.
https://search.emarefa.net/detail/BIM-751909

American Medical Association (AMA)

سلوم، سائد وعلي سليمان. جماليات الشكل الفني في التصوير الحديث. مجلة جامعة دمشق للعلوم الهندسية. 2012. مج. 28، ع. 2، ص ص. 625-643.
https://search.emarefa.net/detail/BIM-751909

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن ملاحق : ص. 637-638

Record ID

BIM-751909