جماليات الشكل الفني في التصوير الحديث
Other Title(s)
Aesthetics of forms in modern painting
Joint Authors
Source
مجلة جامعة دمشق للعلوم الهندسية
Issue
Vol. 28, Issue 2 (31 Dec. 2012), pp.625-643, 19 p.
Publisher
Publication Date
2012-12-31
Country of Publication
Syria
No. of Pages
19
Main Subjects
Abstract EN
The revolution of Aesthetics in Modernity is a complete transformation in the artificial form painting, and it changed the imitation to a new form.
Painters changed the form by their mentality and sensuality which accompanied the scientific revolution, technology, sociology, psychology, and psycho-analysis.
So the Aesthetics of forms appeared in Expressionism through powerful expression, and spontaneity.
In Dadaism, Aesthetics were shown clearly using contrast.
In Surrealism, it was expressed in dream and the unconscious.
In Abstraction, it depended on the reason , intelligence and spirituality.
In Social realism, Aesthetics depended on the social contents of the form.
These differences came as a result of the intellectual and sensual interaction in modernity.
American Psychological Association (APA)
سلوم، سائد وعلي سليمان. 2012. جماليات الشكل الفني في التصوير الحديث. مجلة جامعة دمشق للعلوم الهندسية،مج. 28، ع. 2، ص ص. 625-643.
https://search.emarefa.net/detail/BIM-751909
Modern Language Association (MLA)
سلوم، سائد وعلي سليمان. جماليات الشكل الفني في التصوير الحديث. مجلة جامعة دمشق للعلوم الهندسية مج. 28، ع. 2 (2012)، ص ص. 625-643.
https://search.emarefa.net/detail/BIM-751909
American Medical Association (AMA)
سلوم، سائد وعلي سليمان. جماليات الشكل الفني في التصوير الحديث. مجلة جامعة دمشق للعلوم الهندسية. 2012. مج. 28، ع. 2، ص ص. 625-643.
https://search.emarefa.net/detail/BIM-751909
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن ملاحق : ص. 637-638
Record ID
BIM-751909