أن تبدع هو أن تتذكر : الذاكرة بين سلطة الواقع و سلطة الكتابة

Abstract EN

This essay essentially seeks to find the nature of the relation between writing and memory, as it is a relation clearly obvious in many Arabic modern novels through the memories whose clear presence control the conditions of their writers, their sayings, and their doings, adding additional meanings to them .Thus, by this presence we try and plead to reveal its features through some comparisons that are interested in studying the memory, and its results, for example branching the types of the memory into "collective" and "personal".

By doing this we try hard to show the importance of this branching within a certain context for one of our Arabic novels that will be its object and factor .Our effort will be focused on the search in the affairs of the memories within the novel and what will happen to them, whether they are artistic transformations or have anything to do with the significance and its content, so that it may be different from its first nature to have a literary aspect, essentially it is from the innovation and the fancy of the writer himself, holding his attitudes from the events and affairs of his past and present.