دور القناع في الأداء المسرحي : (الكوميديا دي لارتي)‎ انموذجا

Abstract EN

Every human being own life, world voice that distinguishes him and makes him unique, and a mask that sticks and stimulates his features and his face .

during the time to leave in every moment Parcel changes , a mask that he appears with it to the people to effect and be effected and after the comic mask of De larty which is considered cultural identity before everything and it goes to the physical and the mental treatment so it cares about the body as well as the Soul .

and it enters in to individual relationship then into a dual expression and free it from it’s due back to belongs to accessory or the mask ? and going back to it (the mask) will be a solution in changing things for the actor in the other .

as a solution for the disability of body’s expression.

from that point our study has come to search in the use of the mask and the similarity of that performance in the comedy of “De larty” which we consider as an example for analyzing .

While the fourth quarter included the results and conclusions of