سيميائية الصورة السينمائية و تأثيرها

Abstract EN

Since the beginning of the history of cinema, it has been compared in the natural language, followed by the belief that it is a language that has its rules and its editing, where there have been several attempts to prove the existence of a relationship in cinematic expression and correspond to its presence in the language , In this regard I wrote an article about the cinematic image as a language of expression different from the conventional languages on the one hand, as well as identify the strength of the impact of this language, which is called the image on the masses and the direction of public taste, through methods of sending and receiving ideas and meanings directly and indirectly, And semitism has a large role in this semantic perception, and perhaps this comparison shows what meant Christian Metz, when the film was considered a tongue without language, or when followed by that Emberto Eco.