سيمياء القصيدة المعاصرة و حدود التأويل

Abstract EN

The main gate from which critics can access to different hidden semantic layers of a poem is to assume that the modem poetry is an encrypted indication because, often, the contemporary poet opt for changing the poetic creative tools as well as the constant changing of the dormant visions’ layout in the unconscious background of texts.

But dealing with such texts requires a prerequisite in hermeneutics of knowledge with the coding systems employed in contemporary writing, for the act of reading into a poem requires a particular knowledge with its artistic layouts underlying decoding systems, which by its turn requires a competency in hermeneutics.

In this study, we deliberately exceeded the semiotics, citations of the School of Paris to the Semiotics, Mansions of Julian Greimas in particular and the French School in general vis-à-vis approaching poetry due to its limited theoretical paradigm and its introversion to deal with narratological issues whose scholars lean to study other types of literary texts rather than poetry.