الأداء الميتانصي في شعر "سعدي يوسف"

Abstract EN

This performance can be found in the works of the writers who intend to create suspense among their readers through a textual mediator able of the reading suspending function.

They interweave live discourse and conversations about the intent of their texts, or in contrary it transforms the Meta Textual performance into a part of pleasure and challenge for reading as being an interpretational cooperative textual experience.

As far as I believe, the poet belong to those composers who used the Meta textual performance a lot for his critical enthusiasm and tendency that are explained as the most dominant patterns in the world we live in, and the irony bored by the actual poetic text, this made it appear as a justification for this ironic impulse and the tendency towards comments through objective Metalinguistic tools that interplay with the facts presented by the textual structure to reveal the scopes of its failures, especially the religious, historical, philosophical, material political and ideological facts.

Also, the textual idea by Saadi separates itself from the reality we live to criticize it through patterned discourse that the poetic line cannot be closured without it as it will depict a special semantic pattern.