التناص القرآني في اللهب المقدس لمفدي زكريا
Author
Source
Issue
Vol. 2017, Issue 36 (30 Jun. 2017), pp.41-69, 29 p.
Publisher
Supreme Council of the Arabic language
Publication Date
2017-06-30
Country of Publication
Algeria
No. of Pages
29
Main Subjects
Arabic language and Literature
Abstract EN
Mufdi Zakaria’s poetry is distinguished by its innovative rhythm and aesthetics, and finds profound inspiration in the Qur’an.
The aim of our work is to account for their textual interactions with a view to highlighting the opening of the poetic text of MUFDI Zakaria, which evolves around the major theme of revolution, and to demonstrating its ability to draw from the koranic text at the levels of style and meanings while bringing to the poetic discourse much more consistency and aesthetic revolution.
The poet also makes creative use of language, for he creates particular meanings that contribute to the construction of a renewed poetic image, and this always in reference to the koranic text, a textual phenomenon suggested by the theory of intertextuality.
As regards rhythm, his work “Ellahab EL Moqadas “ contains in itself remarkable facts of intertextuality which converge in meaning, sound, intonation, and musicality with the Qur’an, and this is one of the hallmarks of MUFDI Zakaria’s poetic text
American Psychological Association (APA)
ولد أحمد، نوارة. 2017. التناص القرآني في اللهب المقدس لمفدي زكريا. اللغة العربية،مج. 2017، ع. 36، ص ص. 41-69.
https://search.emarefa.net/detail/BIM-814173
Modern Language Association (MLA)
ولد أحمد، نوارة. التناص القرآني في اللهب المقدس لمفدي زكريا. اللغة العربية ع. 36 (2017)، ص ص. 41-69.
https://search.emarefa.net/detail/BIM-814173
American Medical Association (AMA)
ولد أحمد، نوارة. التناص القرآني في اللهب المقدس لمفدي زكريا. اللغة العربية. 2017. مج. 2017، ع. 36، ص ص. 41-69.
https://search.emarefa.net/detail/BIM-814173
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش : ص. 67-69
Record ID
BIM-814173