جمالية الصورة البصرية و مستويات التلقي

Time cited in Arcif : 
1

Author

بردق، عبد الوهاب

Source

مجلة الحكمة للدراسات الفلسفية

Issue

Vol. 2018, Issue 13 (31 Dec. 2018), pp.198-211, 14 p.

Publisher

Kounouz Al Hekma

Publication Date

2018-12-31

Country of Publication

Algeria

No. of Pages

14

Main Subjects

Engineering & Technology Sciences (Multidisciplinary)

Abstract EN

The emergence of many modern means of communication, which facilitated the transmission of news and information among peoples, where the image share, the most important terms and expressions that have gained great popularity on all tongues, is the word image and image analysis, and the aesthetics of the image, tasting the image ..

And it was attributed to her in the Internet and social networks and the media in general, and was the main role, the realization of the vision of the global village in a tangible way that it has allowed the recipient to participate in this role and the reading of meanings, over the thousands of years since the man came to Earth, So it is our imagination that it is no longer in this era Miracles except the miracle of the image and what it does in society.

The historical review of aesthetics and reception levels was the most important starting point for specialists in understanding the image within the receiver circle.

The presence of the image has become effective since the first building blocks of the image, moving from the role of the consumer to the pivotal partner that fills the spaces.

The artist or writer must leave a share.

The image is based on the theories of reference to give us the opportunity to talk about it, where the human since the primitive ages in the caves and artist in ancient civilizations to help the recipient to understand those texts accompanying them, because they constitute a garment of knowledge, and because it is one of the most important elements associated with the book The nature of the book is considered to be the language of Arabic, plastic or mathematical education.

It no longer has the role of decoration and decoration, and it breaks the boredom of the learner.

It has become a mental map, a dictionary and a lexicon of its accompanying text.

American Psychological Association (APA)

بردق، عبد الوهاب. 2018. جمالية الصورة البصرية و مستويات التلقي. مجلة الحكمة للدراسات الفلسفية،مج. 2018، ع. 13، ص ص. 198-211.
https://search.emarefa.net/detail/BIM-832417

Modern Language Association (MLA)

بردق، عبد الوهاب. جمالية الصورة البصرية و مستويات التلقي. مجلة الحكمة للدراسات الفلسفية ع. 13 (تموز / كانون الأول 2018)، ص ص. 198-211.
https://search.emarefa.net/detail/BIM-832417

American Medical Association (AMA)

بردق، عبد الوهاب. جمالية الصورة البصرية و مستويات التلقي. مجلة الحكمة للدراسات الفلسفية. 2018. مج. 2018، ع. 13، ص ص. 198-211.
https://search.emarefa.net/detail/BIM-832417

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش.

Record ID

BIM-832417