قراءات بديعية في شعر المدائح النبوية : عبد الرحيم بن أحمد بن علي البرعي أنموذجا

Abstract EN

The importance of this topic may not be overlooked by many of the specialists, because it is one the sciences of the Arabic language, but it is an important method in the field of influencing the recipient and his aesthetic ability to create influential images as well.

The talking about Semantic (Badi'iyah)is as old as the Arabic age, so it may be talking about it not the new thing because the people who specialized have preceded us and exhausted all the talk.

Nevertheless, we can look at the subject in a new way, especially in relation to this period, as this approach may have contributed to correcting some of the concepts and opinions on this subject.

The reasons behind the choice of this topic may be a number of reasons.May be will contribute to the process of clarify the most important aspects.These reasons will be the most important of the research items to be putted in the research plan.

Therefore, our study will be based on three chapters, in addition to an introduction and a conclusion.Perhaps this will contribute to the reconstruction of the term "improvements (muhassenat)", as this phrase suggests to the recipient that these methods are a superfluous.Superfluous characteristic that can be dispensed with and the meaning remains.

As this idea has become unacceptable at present; because they found it important to the subject in the construction of the meaning of the fact that it is a rhythmic expressive aesthetic means to create a certain effect in the recipient, so that this method is composed of the sounds of letters consistent in the words appropriate in systems may achieve rhythm Is required in the text to find thepsychological effect to the recipient.

In order to demonstrate the meaning of this and change the idea of those who said that it is decorated, especially in relation to this era (eighth century AH) we chose the prophetic praise to be examples that demonstrate the importance of this subject here meets artistic honesty with the function of Budaiya to produce literary.Literary models based on the super ability to use the splendor to serve the meaning,And the meaning has a role in the development of primitive art in its place even to prepare the elements of the aesthetic in the poem and then reveals secrets that cannot be ignored by the critic.

The second chapter is devoted to the study of the division of Budaiya into verbal and moral enhancers.

This section may be useful in reviewing this division, since there is no such division, and the division here is a forced division and cutting as it cuts off the living organism without its origins.

Moreover, This method is different from other methods as we may find in one text many of the methods, and consider them fragmentary and lose the text is realistic; therefore, do not isolate the Badea from the body of the text if the meaning is the spirit of the text, the arts Bdaia and the statement is the structure of the text so there is a relationship between Expression values and quality of meaning And this is not achieved unless we look at the text as one view of the artistic cohesion of the Badi with the other arts of eloquence.

The third chapter is devoted to the applied study through the selection of a poet to analyze a set of his poems to be a model to prove what we have presented in the previous two subjects.