تجليات الألم في ديوان "أرجوحة الوجع" لهبة يونس من منظار النقد الجينثوي

Abstract EN

The word "sex" and "feminine" are formed by the word "genetics"; it is a group of feminine sensations that are issued by the woman / poet.

Genetics began its literary journey from the beginning of the twenty-first century.

The female benefited from this phenomenon to express her feelings, especially those pain-filled senses of the intensity of the impact of pain in expression and expression, so far she is trying to prove her presence in literature and show that she is able to compete with masculine literature.

This type of literature has witnessed an uninterrupted development since the old culture dominated the various aspects of women's life and has been made in a secluded margin of literature.

Recently, however, this trend has emerged in the literary arena following the emergence of great and varied opinions and controversies, To draw the attention of writers and critics in the world to this type of literature.

The poet Heba Younis may be one of the most prominent poets, whose poetry is characterized by both female pain and connotations.

Pain has an intense presence in her "pain swing", a pain that is based on female methods.

There is no doubt that the poet languishes in a stream of pain with female images to extinguish her pain by revealing her documents in her office.

In this research according to the descriptiveanalytical approach, we aim to study the pain and feminine characteristics of the genocidal criticism.

The research is divided into four axes : Title semismism, zodiac signification, female environment, sad color connotations, feminine crying.