شعرية العتبات النصية في النقد المعاصر

Abstract EN

The evolution of contemporary critical studies of the text began to shift the focus from the study of the text as the original discourse to the parallel discourses that surround it.

This has been driven by the act of interpretation and activated by the act of reading used for explaining its meaning form, yet pointing out the technical characteristics featured by this discourse.

Because of cultural developments at the level of thought, the literary text is manifested in several forms, which reflected the vision of the writer as a critic of reality, and which took the features of openness to the absolute, rather than being limited to itself.

This kind of writing is not restricted ; it seeks to represent everything related to the original text.

Therefore, nothing can limit or prohibit the act of writing, and everything can be subject to writing or discussion, whichis referred to as the culture of infinity.

This writing attempts to turn the emphasis of the study from the text to the philosophy of the surroundings (text thresholds).

Accordingly, it reformulates critical writing underpinning the eloquence of the textual space, which is based on diversity not unity, thus it is open to the text thresholds such as the Title, the dedication, the margin, the beginning, the end, etc