سيملوجيا الرمز التشكيلي

Abstract EN

The relationship between the signifier and the signified is an idiomatic relationship similar to the one between cause and effect that arises from an agreement among the partakers of the relationship even in the inexistence of reasoned signs or natural purposes that are used as marks.

The symbolic meaning is often simultaneously implicit and professed.

Moreover, implicit significance, which usually latent and unconscious embraces more symbols even if it is stated.

The significance, in its objective framework, refers to some meanings.

Some might agree that the concept (the meaning) is the idea represented by the mark or the idea that can be attributed to the subject of thinking.

Whereas, the varied meanings per symbol indicates that the meaning is of respect to relationship and this relationship laminates every meaning with a newer one.

Semantics is the study of meaning in language it focuses in the relationship between signifiers like words, phrases, signs and symbols and what they stand for, accordingly everything around us becomes entitled to it as systems of signs and symbols classified according to their functions and use.

The subject of concern in this study is the visual symbol in Plastic Art which is classified as an aesthetic symbol.

In fact, the relationshipbetween the aesthetic object and its significance directly ensures the affirmative and the implied.

The symbol as a message is similar to the aesthetic message in Surrealism or Ultrarealistic and the Obscure.

Moreover, the logical meaning is orderly structured symbolically and closed (does not comprehend ambiguity) and the symbolic order field remains unevenly open and subject to the interpretation of the recipient.

It is important to pay attention to the degree of symbolizing and hence to the related semantic system.

It's equally important to take into account the different historical eras, civilizations, cultures and moods of those who are trapped in a rhetorical zone of symbols systems.