الزحاف و العلة : دراسة صوتية : البحر الكامل أنموذجا

Abstract EN

The significance of this research lies in its musical phenomenon in the art of prosody.

It also presents a generation of poets who are capable to create amazing proses suitable to their poetic abilities which all lead to make the reader excited to listen to Lazwrdies.

It aims to explain the rhythm in its two aspects, namely, linguistic part and poetic part through Al-Bahr Al-Kamel and Diwan of Al-Naabigah.

The research adopts the descriptive analytical approach and also the applied approach, so the study is divided into two sections : 1- Theoretical fundamentalist study which includes physics of poetry such as movements , statics and static letter and their relation to the linguistic part and prosody part.

2- Applied study on linguistic and prosody parts and the balance between them supported by examples of poems from Al-Bahr Al-Kamel as it is one of the volatile interesting areas in poetry.

The examples were chosen from Naabigah Diwan because it has poems of Al-Bahr Al-Kamel, partially and wholly.

Naabigah has used the rule (Mostafelan) several times nearly the same number of times for the origin (Motafalin).

The results of this research is that the parts of poetic prosody is the basis of Lazwrdy music and that Al-Bahr Al-Kamel in Naabigah Diwan is the best example.