رؤية العالم في الخطاب القصصي ل (ظافر الجبيري)‎ : دراسة بنيوية تكوينية

Abstract EN

The study attempts to analyze the world vision in the fictional discourse of the Saudi narrator, Thafir Aljubairi, one of the writers whose stories reflect world vision that intertwines with the linguistic composition of the narrative discourse.

His trilogy Khutuwat Yabtaliuah Almagheeb , Alhurub Alabyadh), and Yawmiyat Hubb Muzmen [Steps are Swallowed by the Dark, White Escape and Chronic Love Diary] reveal the relationship between the creator and the world.

Genetic structural approach, which is based on the social and artistic reading of the fictional world, is an approach consistent with the nature of the narrative discourse of Aljubairi – the text imposes its reading method.

The relevance of the genetic structural approach lies in the fact that it reconnects the relationship between literary creativity and living reference, that is to say the society in which the creator produces his creativity, and from which he extracts his fictional worlds.

The present study attempts to answer a number of questions: - What are the signifying structures through which the writer expressed the world, and organized his narrative discourse? - To what extent is the narrator able to form a reference vision that encompasses a narrative activity? And how could fictional discourse reinforce vision of the world? To answer these questions, the study is divided into two sections: The first deals with the general sociological aesthetics by revealing the signifying structures, and why the artist expressed it.

The second section is represented by the pure aesthetics which in turn is represented by the expression tools of the narrative discourse; and the extent to which it is adaptable to the embodiment of the vision of the world in the creative work.

The study takes its importance from being the first study trying to analyze the narrative discourse of Thafir Aljubairi through a critical, genetic structural approach that questions world vision in its intermingling with the social world, and dialectic interaction and reaction in the folds of the fictional narrative.