قراءة جديدة في فن التنصيبة : مفهوم الصدى في تجربة الفنان التونسي رياض بنالحاج أحمد

Abstract EN

Centered research on the problematic presence of simple in the contemporary Tunisian art concept, which touched the artist to study the conceptual side, which is the echo symbolic and the magnitude of the meanings of semantic and conceptual within the contemporary art system, which was limited to the simple in its installation employing, to that the privacy of this experiment are summarized in the new reading the echo of the concept of art in the new technical employments