المؤثرات الصوفية في الشعر العربي الحديث : غرابة الحال أم اغتراب الظاهرة النقدية ؟

Abstract EN

This article attempts to explore a group of problems concerning contemporary critical Arabic discourse by juxtaposing theory against practice in the context of modern Arabic poetry as a means of measurement and observation.

Indeed, this article wishes to observe the current gap between modern symbolic poetry and they style of its reception.

The most prominent these problems include the following: To what extent does modern critical Arabic discourse seem to cope with what the creative mechanisms have achieved in terms of development while deepening its symbolic contexts and varying its coded elements? If “mystery” were a prominent characteristic in modern symbolic text, who would bear the responsibility of facilitating the ways of “understanding” and renewing the mechanisms of criticism and hermeneutics? Is it the poet or the reader? Do we need to cut ways with the standardized critical patterns and start new ones that would comply with the comfort of poetic symbolism on a-grammatical and meta-lingual levels? To what extent does modern symbolic poetry suffer from a crisis in terms of reception? What are the ways to bridge the gap between symbolic text and critical discourse? This article attempts, among other things, to find out project answers about such inquiries by observing certain patterns of current and possible critical discourses, considering intertextuality with Quranic symbolism as a procedural pattern.

Thus, it would be possible to examine how such intertexuality is open to a diversity of readings and hermeneutics in terms of theory and practice.