نحو رؤية شمولية و نقدية لفلسفة الفن في الفكر الغربي الحديث و المعاصر

Abstract EN

There is no doubt that the aesthetic experience in the Western heritage and the technical impact it carries, it carries a lot of characterizations because it briefly reflects the feeling of sublimation of the Western mind and the aspirations of the liberation and escape from the inevitability of material nature and taper of the Queen of creative imagination and Another angle expresses the emotion of conscience in front of the idea of harmony with the components of European history full of sociological mutations, which works by the Western artist as a solid and solid base to create new things and also loves you from its data formations of art that express its privacy, the artist here who was liberated earlier and still feel us With a trunk When art was the broadest domain that enabled the translation of this liberation, the Western artist was eager to express this tendency for the body of his aspirations.

The artistic experience that the West has known as mimicking nature in its eloquent appearance has been surpassed After surrendering to the variable of life led by creativity and the ability to change the trends of history and raised from the drawing of animals on the walls of the caves to control the waves of the air and upload images and words in the forms of speech really reflect the mosaic art, then experience taste that led art in the Western space to that K does not Ptosifha purely subjective experience, because it opened several areas made it possible to expand the horizons of intellectual, cultural and civilizational art.